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Welcome to the Web-World of Maryen Cairns!

Here you can explore my music & videos & discover what I'm doing now in 2020 :-)

Be sure to sign up (above) for all news & happenings.... now based in Guernsey... working on new songs remotely with an awesome team - very excited how they are going and SUPER EXCITED to share with you soon!!!

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New single "HOPE" out NOW 🤗

CLICK HERE FOR LINKS TO "HOPE" ON MOST STREAMING PLATFORMS

Hope

Maryen Cairns

Hope is the storm raging within; as the timpani roars it becomes thunder and as the piano falls crisp and gentle it becomes the rain. Cairns’s voice conveys the emotion of determination, as she soars above the thunder clouds to find the sun, taking you with her on a journey we each face. She erupts from this void of helplessness and ignites a sense of “hope”.

Hope is released 18th September 2020. Produced by Chris Kimsey. Jennifer Maidman - bass, electric guitar, engineer for these instruments. James Larter - percussion. Freddy Wordsworth - trumpet. Maryen Cairns - writer, piano, acoustic guitar, vocals, engineer for these instruments. George Murphy - engineer for percussion & trumpet at Eastcote Studios. Mixed by Chris Kimsey & Maryen Cairns. Mastered by Andrew Tulloch at The Blue Studio.

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COME TO ME

2019

Come To Me was produced and arranged by Chris Kimsey, legendary producer for the Rolling Stones, INXS, and Peter Frampton. Maryen’s original vocal, guitar and piano recordings are augmented with a live band including Jennifer Maidman (Boy George, Penguin Cafe Orchestra), Paddy Milner (Tom Jones), Evan Jenkins (Neil Cowley Trio), Karlos Edwards (Robert Palmer, Michael Buble), Ollie Clark, Sani Bolton and Maryen’s son Elvis Kernaghan, guesting on electric guitar.

Available at all the usual music online merchants, but also on this site at even better prices! And of course I'm on Spotify too so do follow if you use that platform :-)

Latest Music Video "Steam"

House Of Prog

17 November 2019

"she allows her vocals to soar and the electric guitar break is quite superb as it transforms the piece.

Overall this is a more varied album than ‘Femina Australis’, yet still manages to retain her roots, so she uses a steel when the time is right, or a violin, and plenty of piano and warm fretless bass. It is again the album of a mature artist who is confident in her ability and songwriting skills. She can put an edge on her vocals, or just lift them up showing her soprano range, or let it come down lower to provide more emotion. Lyrics are incredibly important to Cairns, and each song really is a story in its own right"

- Kev Rowland